Conceptual Blending

Jonah Lehrer in his new book “Imagine: What Creativity looks like” talks about unrelated ideas coming together in a moment of insight. He describes this process as Conceptual Blending. I’ll post more on Lehrer’s work, as he investigates some of the concepts I myself am looking into.

Let’s look at two examples to start with.

Wall-E

While working on Wall-E Stanton was at an impasse with how to make the main character more empathic with audience. One thing Stanton was sure of was that he didn’t want the robot to have human eyes. This caused a problem, as so much emotion is conveyed through the eyes, that Stanton felt it needed to be addressed. After an impasse of some time and with the frustration building Stanton attended a baseball game with his editor. During the game the editor used a pair for small binoculars to see better what was happening on field. At that moment Stanton had an insight that the way the binoculars looked when moved up and down looked expressive. This realization led him to instantly connect this to his robot character.

Inanimate Character

John Lasseter went through the  same process when coming up with Pixar’s first character. Luxo Jr. Lasseter was also at an impasse in finding the right character to show off the newly created Pixar’s computer animation technology.

After sitting at his desk thinking through the problem he looked at the old desk lamp sitting beside him. Suddenly it became clear, that the lamp itself had character and could convey emotion as a living entity. I’ve talked more about this idea of the inanimate coming to life in a previous post.

Conceptual Blending draws parallels with Margaret Boden’s ideas of Conceptual Space. Boden in her book "The Creative Mind: Myths and Mechanisms" talks about the ability to explore conceptual spaces as one would explore a landscape. Prior knowledge acts as a map which gives us some idea of the terrain, but by exploring beyond the boundaries we can expand our “known territory” and make the room for more ideas.

Filters for Seeing

David Sequeira, a Canberra artist, gave an interesting talk at the University of Canberra. David was discussing his work in the context of colour and space. I found it intriguing that he was talking about his installations being visual forms of space and how that relates to the “Spaces between people and objects” This idea of the “space between” things and people echo’s Scott McCloud’s point of the space between comic panels being where the audience engage with the story, occupy a conceptual space and connect the narrative elements together without being told what is actually happening.

I think Augmented Reality is really a dialogue that occurs in the spaces between the real and the virtual. This stood out in David’s other points regarding Indian windows.

Indian Windows are a celebration of exquisite pattern created in stone work. Their intention is to facilitate a “augmented” view of the outside. To let you see something different. They create a layer between what is and what you see. In effect they become a filter for seeing. In many ways this is analogous with Augmented Reality (AR). AR is a filter for seeing that can enhance and change our view causing us to reflect on what we think.

-matt